Translated Profile Commissioned by Monster Girl Redux
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Feathers,August 16th, 2014And Kaijin you are the "Perentie" of this place, IMO.
Feathers,August 16th, 2014And Kaijin you are the "Perentie" of this place, IMO.
I'm not really clear on why this is such an issue when MGE is a world where the deities and creatures of several different mythologies coexist and interact. Indeed, there is evidence that in the MGE some of the gods are even known by different names/identities in different regions (like its speculated in MGE volume 2 that the sea deity Wadatsumi worshiped in Zipangu is the same being as Poseidon). Or for another comparison, how Bastet doesn't care what mythology cat monsters come from, so why would Hel be unable to associate with or come to a special agreement with banshees?Kaijin wrote:A Celtic lore entity serving under the Scandinavian/Norse goddess of the underworld...
(I don't know what is more gear grinding...this or the whole Scáthach-Skadi thingy thrown at random because "why the heck not?" in FKO)
Dangit...Japan...Dangit...
Celtic mytholgy ≠ Scandinavian/Norse Mythology
Great Britain (and Ireland) ≠ Scandinavia (and Finland)
Is is really that hard to understand?
If we can tell the diference between Sendai (the river), Sendai (the city) and Sendai (the prefecture)... HOW COME YOU'RE UNABLE TO TELL THE FRIGGIN' DIFFERENCE BETWEEN IRELAND AND ICELAND?
Reading up on his enty and patreon entries its always seemed to me that KC actually knows more about a given creature's mythic origins than one might expect. Of course he freely ignores a lot if it suits him. But I regardless fail to see how his treatment of the banshee shows a lack of respect when, as noted above, he adapted them rather directly.Okay... Putting aside that Kenkou knows absolutely nothing about Europe nor their mythologies, doesn't have a single smidge of respect for them and has never bothered to check the source material... Let's move to the profile itself.
I'm not sure how you got such an extreme impression. Her crying causes lust, a ton of MGE monsters have that sort of voice-based ability (siren, lamia, mermaid), and indeed in the banshee's case its only so effective when the man has just risen into undeath and his thoughts are still unsettled. After that it and their tears are just a rather standard lust enhancer.The first thing to notice is... that she's broken... one of the most broken entries on the encyclopedia on that regard actually (on par with entries like Pharaoh, Ice Queen or Al-Apsarah hands down).
To the point that a single tear of hers is enough to turn you into lust incarnate.
They specifically can only sense it when people are going to die soon, and their voices give comfort. Further, if they have sex with you then you're their husband for life, its not a romp or two (to maintain the life of an undead incubus requires a life long commitment) nor do they revive the man for the sake of sex. The whole point of them serving Hel is to be able to give people relief as they die and welcome them into eternal life as an undead, to be able to do something about death and suffering when before they were unable to.But in Banshee's case I can't really justify it, she just arrives way too late to save him and forces a transformation on him (or rather what's left of him by that point) because... of yes.
In some cases I can understand it... like in an accident, someone left to die or a soldier dying on a battlefield...
...but in cases like people suffering from illness for months, years... maybe even most of their lives...That's something I can't understand nor accept.
After an endless suffering one of these is more than ready and willing to take that eternal relief just to get a romp or two out of you? It just feels incredibly wrong.
It's true, I read multiple sources when I was writing my own profile earlier this year.Flare wrote:Really? I've never heard of that...
For mine I went for the young woman, but there are other descriptionsWhatever her origins, the banshee chiefly appears in one of three guises: a young woman, a stately matron or a raddled old hag. These represent the triple aspects of the Celtic goddess of war and death, namely Badhbh, Macha and Mor-Rioghain.)The Banshee She usually wears either a grey, hooded cloak or the winding sheet or grave robe of the unshriven dead. She may also appear as a washer-woman, and is seen apparently washing the blood stained clothes of those who are about to die. In this guise she is known as the bean-nighe (washing woman).
I have noticed this is missing and also I must note that her appearance fits one of her descriptionsdressed in white or grey with long silver hair, and occasionally took the form of a crow, stoat, hare or weasel – typical animals associated with witchcraft in Ireland.
another missing factA beautiful woman wearing a shroud
A pale woman in a white dress with long red hair
A woman with a long silver dress and silver hair
A headless woman carrying a bowl of blood that is naked from the waist up
An old woman with frightening red eyes, a green dress and long white hair
An old woman with a veil covering her face, dressed all in black with long grey hair
Not all Banshees are hate-filled creatures; there are some that had strong ties to their families in life and continued to watch over them in death. When they manifest themselves, these Banshees appear as beautiful enchanting women that sing a sorrowful, haunting song which is filled with concern and love for their families. This song can be heard a few days before the death of a family member and in most cases the song can only be heard by the person for whom it is intended.
Eyup! Still can't quite wrap my mind around why so many Japanese authors mix up the same places in Europe; can't even blame KC for this one, as it seems a generalized thing.Kaijin wrote:Celtic mytholgy ≠ Scandinavian/Norse Mythology
Feathers,August 16th, 2014And Kaijin you are the "Perentie" of this place, IMO.
She's certainly not a favorite of mine myself (a number of the undead types aren't), but what do you find to be lacking/pitiable?Blake81 wrote:And pity about this one; she's got nice hips, but that seems to be all about it...
I get that much. But the trouble there would be that he's already established Hel as the goddess of life and death in his setting, much as he's made Poseidon the main ocean deity. Presumably the furthest he could go without contradicting/complicating that would be to have Morrigan be another name Hel is known as, much as he implies the deity the umi-osho serve actually being Poseidon but in the Zipangu region known by another name (though I suppose he could give Morrigan some kind of supportive/additional role). Plus, part of the fun of fantasy settings is having the freedom to create relationships between mythical characters/races that didn't exist in the original mythology. Not saying you can't go too far with it, I just don't see how this is a case of going too far.Raet wrote:What Kaijin is getting at is that the banshee works for Hel, Hel is Norse, not in any way associated with a banshee. If he wanted to make her work for a goddess, she should work for Morrigan, the most obvious goddess of death associated with Celtic legends. She even has a famous succubus, Morrigan Aeinsland in video game culture
Feathers,August 16th, 2014And Kaijin you are the "Perentie" of this place, IMO.
I feel there was quite a bit of a waste of potential; there are plenty of unusual and interesting undead entries (like the Wight and the Lich), so I sorta feel she lacks anything that wasn't done before on some other entry. Not sure if putting this in the best words; I usually like most undead entries, but this one? Hmm.... not quite. (Although that doesn't mean she can't be adapted for a good novel, that is)Perentie wrote:She's certainly not a favorite of mine myself (a number of the undead types aren't), but what do you find to be lacking/pitiable?
True, I especially wish there was something to visually distinguish her from what presumably a undead MGE elf looks like. Perhaps we'll find out later her tear stains are actual markings or something like that. Or perhaps we'll find they originated as elves (as I've been told this is an origin for banshees in Dungeons and Dragons). KC often gives additional info in his "Making of" features.Blake81 wrote:I feel there was quite a bit of a waste of potential; there are plenty of unusual and interesting undead entries (like the Wight and the Lich), so I sorta feel she lacks anything that wasn't done before on some other entry. Not sure if putting this in the best words; I usually like most undead entries, but this one? Hmm.... not quite. (Although that doesn't mean she can't be adapted for a good novel, that is)